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how to talk about weird things (really, HOW?)

Despite my lifelong interest in the strange and unusual it took me a relatively long time to realize just how strange that is to (some) other people.

Growing up in a family where such inquiry was commonplace and getting the requisite pat on the head for my childhood faked Bigfoot plaster casts etc. it wasn’t until college that I started getting blank silence, laughter, even hostility. So I learned to shut up if I didn’t want to get into long-winded explanations of why I wasn’t a conspiracy theorist, UFO cultist, or what have you.

Alternative religion historian Mitch Horowitz’s discusses the hazards of discussing the occult in the media and many apply to discussing in company as well: the unknown is acceptable as long as you’re flip about it but any hint of serious interest gets conflated with blind belief, and hence, ridicule. This scares off intelligent inquirers and the truly off-the-wall rush in with their pet theories, perpetuating the association with crackpots.

Angry alien says to fellow aliens:
The acceptable face of  the weird. Don’t get me wrong, I find stuff like this funny too. Via.

Which is a damn shame because underneath the silliness and hysteria are some genuine questions like what really happened? and why do they keep on happening? and how do experiencers integrate their experiences into their daily lives?

Though I’m in the business of speculating I try to be aware that I am doing just that – speculating. I’m no scientist (or trained in rigorous scientific method) so I can’t make authoritative statements about the objective reality of strange phenomena. Nor can I discount or ridicule other people’s experiences – I don’t walk in their shoes.

But I can say: it’s ok to engage the weird. It can be done without sacrificing critical thought, though it is difficult. Investigate without assumptions and be ready to accept that you don’t know and may never know. Most of all, anyone who insists they’ve got The Answer(TM) doesn’t.

biweekly links 11-16-2016

Doctor Strange tapped into a fascination with the mystical that was front and center in America when he was created in the 60s – now he casts his spell again: puts the new Marvel universe movie in the context of the character’s origins in controversial 1960s spiritual explorations. I enjoyed it, wish they showed more of the Sanctum Sanctorum (now on Google Maps!). The mentino of the Key of Solomon amused.

Captain America's quote from The Avengers:
Via knowyourmeme.com

Have you seen it? What did you think?

Speaking of books: The Evolution of Clocks and Timekeeping Rare Books from the 15th century to the present at the Grolier Club: including tomes on timekeeping, mechanical clocks, sundials and astronomical tools by Tycho Brahe, Athanasius Kircher, Girolamo Cardano and more.

Renaissance painter Botticelli’s dark side revealed in new film – but did he have one?: known for the delicate beauty of “Birth of Venus” and “Primavera”, it’s often forgotten that Botticelli illustrated “Dante’s Inferno” as well. This new documentary explores the Florentine master’s “dark side” whilst arguing that he didn’t have one.  I’d say burning your paintings at the behest of a religious fanatic is pretty dark, or at least depressing.

the problem (and opportunity) of Joanna Kelley

You’d think that by this point in the book I’d have a stronger grip on all my characters.

On good days it’s almost like channeling. Edward Kelley’s con-artistry, Jane Dee’s frustration, and John Dee’s obsession all spring easily to mind at this point but Joanna Kelley eludes me.

Which is nonsensical because of all these historical figures I probably know the least about her and so have the most leave to make things up.

Dee didn’t have a strong opinion about her; Edward Kelley “loves her not, nay, I abhor her”; Jane Dee apparently took her side in arguments with Kelley. Charlotte Fell-Smith’s 1909 biography of Dee describes Joanna as “lively and docile” but Fell-Smith tended to speculate.

It’s not clear why Kelley married her – the “angels” ordered him to marry but didn’t specify a bride. Wooley suggests someone (who?) might have paid him marry her in order to legitimize children she had with an aristocratic lover; Bassnett argues she was the widow of a clerk named John Weston. It doesn’t seem she brought any status or money into the marriage. Only two things are clear: she was only 19 when she married Kelley and he didn’t like her.

Why would she marry someone like Kelley, a volatile man with few (legal) prospects who didn’t want to get married in the first place?

I’ve mixed bits and pieces from the scholarship for Joanna’s backstory, but even if I know how she got into the Dee/Kelley household I’m still not clear on how she manages once she’s there. Optimism and resilience would help her endure Kelley’s tempers. Smarts and adaptability wouldn’t hurt, given dangerous travel and domestic strife.

The idea of “Firefly”‘s cheerful engineer Kaylee Frye sprung to mind. A fictional sci-fi character may be an odd inspiration for an Elizabethan housewife but I can imagine that someone of Kaylee’s uncultured enthusiasm would charm everyone around her but get on grumpy Kelley’s last nerve.

Beaming girl in fluffy, ruffled dress.
I imagine Joanna being just this sweet and gauche when she comes to Mortlake for the first time. Less floofy dress though. The only linkable version of this pic I could find.

My hardest plot challenge of all is why does Kelley hate her so? No one else seems to. I’m considering several possibilities (no spoilers) but even at this late stage I’ve not got this crucial factor ironed out yet.

Maybe it’s difficult for me because while I know fear, anger, and obsession, I’m not exactly a ray of sunshine.

Fortunately I’ve completed the day job certification that ate most of my time for the past couple of months and am eager to get back to editing. Hopefully I’ll get into the zone and she’ll evolve organically out of rewrites.

References:

Bassnett, Susan. 2006. “Absent Presences: Edward Kelley’s Family in the Writings of John Dee.” In John Dee: Interdisciplinary Studies in English Renaissance Thought, 285–94. Dordrecht: Springer.

Wooley, Benjamin. 2001. The Queen’s Conjurer: The Science and Magic of Dr. John Dee, Advisor to Queen Elizabeth I. Henry Holt and Co.

biweekly links 11-2-2016

Happy (belated) Halloween/Samhain/All Hallows/etc! I can’t top the biggest early modern European news of the last 2 weeks (Christopher Marlowe Officially Credited As Co-Author Of 3 Shakespeare Plays) but I’ll try:

Woodcut of
A sea-bishop from Johann Zahn’s 1696 work Specula physico-mathematico-historica notabilium ac mirabilium sciendorum (that’s a mouthful). By Sean Linehan, NOS, NGS National Oceanic and Atmospheric Administration (NOAA) (http://www.photolib.noaa.gov/library/libr0081.htm) [Public domain], via Wikimedia Commons

last to the party

I’m not the best at keeping up with trends. Maybe it’s age, maybe I’m just perpetually up to my ears in my own peculiar interests, but I don’t always know what’s happening in pop culture at large, even in my own bailiwick.

Take “Hamilton”. I first became vaguely aware of the play only because a fellow writer mentioned it on Facebook. At the time I chalked up her enthusiasm to her subject matter (historical fiction set in 18th century America), but it didn’t take long before half the people I knew were swooning over the soundtrack. Had I heard it? Wasn’t it awesome?

And I hadn’t. A musical about a founding father sounded like an interesting trick to me but then, I’m a history nerd. Alas, I’m a lazy/distracted history nerd and didn’t go much beyond Googling the play. Rationalizing that I couldn’t get much out of a soundtrack to something I’d never seen (and wasn’t likely ever to be able to!) I wandered off into other things.

Then a friend played the opening “Alexander Hamilton” track for me. Hip hop and history – I like it! I mused aloud that putting historical fact to modern music would make it relatable and memorable.

It wasn’t until this past summer that my husband caught the bug, and at his urging I finally downloaded the soundtrack for the Jamestown roadtrip.

Um, damn.

Every single track an earworm, memorable even on first hearing! Funny too – I didn’t know this was a comedy. Wait, it’s not – oh poor Eliza! Is this one about the Federalist Papers? Did this guy seriously just make dry political legalese cool?

I think I get it, finally. I’m not a “foaming-at-the-mouth-best-thing-since-sliced-bread” fan but I’m all in favor of translating history to appeal to modern audiences and “Hamilton” does this flawlessly. The new PBS making-of special is excellent, including not just performances but Miranda’s writing process: how he decided what to keep, cut, fictionalize, and compress from the historical record to tell a good story. Even the actors researched their characters, to the point of going to historic sites and collections [envy!]

So, I reckon I got there in the end. Anyone have something new to recommend?

 

biweekly links 10-19-2016

Vampires and alchemy and murder-investigating witches, oh my!

distraction and derailment

Fall has been a big season of change for me:

  • New day job
  • Studying for new certification for new job
  • No coach (he retired and I’m still looking for a new one)
  • Old friend back in town

Listed they seem trivial but taken together it’s required a realignment of priorities and expectations. Control freak that I am even the good changes have me flailing a bit. But learning a bit of flexibility is never a bad thing, and without the occasional shakeup it’s easy to go stale.

What little writing/editing I’m getting done is more productive. It’s like removing my nose from the grindstone allowed some ideas to free up, and I’m finally resolving some plot holes and character motivations that I’ve been fretting over for months.

Because of changes in commute I’m also forced to brainstorm in new places, and something as small as a change in scenery is enough to jog things loose.

My apologies for brevity, but yesterday was actually my first day of the new job and I’m still kind of cluttered. What have you all been up to?

 

biweekly links 10-5-2016

the inevitable post

Because you can’t write about John Dee for very long without addressing the Voynich Manuscript, the “book nobody can read”.

page of medieval manuscript showing red and blue flowers and strange script
A page from the mysterious Voynich manuscript, which is undeciphered to this day. Courtesy Wikipedia.

In an early draft of the novel I had Edward Kelley stumble across this strange tome in Mortlake’s library, but I ended up cutting that scene because Dee likely never owned it. Bursting further myths, he didn’t create it either – it’s carbon dated to the early 15th century, well over a hundred years before Dee’s time. Nonetheless as a mathematician and steganographer he certainly would have found it interesting. Hell, I find it interesting and I’m just an ordinary schlub.

The manuscript got its popular name from Wilfred Voynich, the bookseller who purchased it in 1912. Before that it passed through many hands and it’s origin is unclear. It currently resides in the Beinecke Rare Book and Manuscript Library at Yale, and is available for viewing by appointment only (though they did loan it for an exhibit in DC, see below).

It has a bit of everything, from apparent star charts to plants to segmented pipes or containers to swimming naked ladies. And of course, lots of indecipherable text (available as a TrueType font, if you’re so inclined).

As such, speculation on what the text might be and by extension what the book is about runs rampant. CipherMysteries.com provides a rundown of the most popular theories, which include everything from blatant hoaxing to alien tech. Certainly it seems to have elements of astrology, herbals, and possibly alchemical recipe books (all those pipes), but doesn’t resemble any of these exclusively.

Decryption obsesses many – even the NSA (PDF) took a crack at it. In 2014 Stephan Bax at the University of Bedfordshire in England deciphered ten words for plants and an astrological sign. Just last week Gordon Rugg of the University of Keele declared it a hoax; other parties disagree.

I was fortunate enough to see the real deal when it was on display in the Folger Library’s Decoding the Renaissance exhibit. Somehow I thought the fuel for so much speculation would be bigger – it’s about the size of a modern hardcover novel. The vellum shows few erasures, so someone understood the strange text well enough to write it with few mistakes. The colors are still vivid even after ~600 years, but the illustrations seem hasty and awkward, particularly the human figures.

My own take is… I don’t know what to think. I’m no cryptographer so I’m not competent to judge the plausibility of the various theories (though I’m pretty sure aliens didn’t write it). If it’s a hoax it’s a good one to fascinate so many for so long. If it’s a code I have to wonder what the author(s) were hiding. In any case, someone went to a lot of time and trouble to create it. Again, the real story is about people and their motives and perceptions.

Current research and the upcoming publication of 898 “clone” manuscripts going for $8000 each (and a Yale University Press edition priced for us ordinary mortals) should keep the Voynich Manuscript in the news (well, the news I read) and send researchers down the rabbit hole for years to come. Me, I’ll just peruse Yale’s scans and consider the fiction fodder.

biweekly links 9-21-2016

Brief this week as I’m prepping a scene for a live reading on October 8 (details to come):