Raised on a diet of Star Wars, Monty Python, and In Search Of, Allison Thurman has always made stuff, lately out of words. She lives in a galaxy far, far away (well, the DC metro area) with too many books and not enough swords.
I’m not talking about the subjectivity of reality or how much subjective experiences do/do not matter, but something far more mundane: generalized anxiety. I wasn’t diagnosed until my twenties but it’s been a problem all my life. All these stupid things everything does from time to time are my system defaults. Short version: I can’t trust my intuition because it’s a paranoid idiot.
Not that it’s not fixable. With treatment I no longer jump at every damn thing but risk assessment isn’t a gut thing so I have to consciously overwrite my bad mental habits.
This is on my mind because I’m on several learning curves and the constant forebrain check of the stuff my lizard brain can’t handle has been exhausting. Doesn’t stop me fervently overthinking everything though, and the writing is falling into a spiral perfectionism paralysis. I’m digging out, but it’s taking time so I just listen to my internal Lying Cat hissing lying, lying, lying.
Henry VIII’s ‘small country’ Tudor palace for sale: so if you’ve got £3 million lying around you’ll want to jump right on that. Seriously though, some nice interior/exterior photos at the link if Tudor architecture is your thing.
The Tudor guide to colonising the world: in case “Bluff King Hal”‘s old digs aren’t big enough for you, read about Richard Hakluyt’s sixteenth century travel guides of the New World. Mind, he never actually left Europe, so take with a grain of salt.
The Game Developers Who Are Also Witches: not a gamer myself but games are a powerful storytelling medium and it sounds like these games to celebrate and empower traditionally maligned populations.
A sudden illness laid me low so I don’t have a ton of scintillating prose for you this week. I’ve made good use of the downtime though:
Just like the fun stuff, I journal the rough stuff. Given how writers need to torment their characters I chronicle every twinge and ache. I’m currently smacking Edward around in rewrites and a reference file saves time.
I find this works for anger too. Hell, I find arguments easy to write in general, but it clears the mind enough to write it well.
And, of course, reading still feeds the muse even when I don’t have the brain power to create anything.
Illness and other downtime is inevitable. How do you make it work for you?
A handful of UFO-related links as I mine my blog feeds:
NSA Interest in the Paranormal: following on last week’s post, it turns out the GB6 came out of a pre-existing culture of paranormal interest at the NSA dating back to the 1980s – see Jon Ronson’s “Men Who Stare At Goats” for more. Your taxpayer money at work.
Thanks to the X-Files, UFOs were trendy during the 1990s. Eat Static named this 1993 single after the Gulf Breeze sightings – not bad! Nothing overtly alien but you can dance to it:
The “Arrival” Movie – UFOs, Aliens, and the Rising of the Dead: I loved “The Arrival” and am always happy to read other “takes” on the movie, even when I disagree. Though frankly, the story is open-ended enough that it can encompass multiple interpretations.
Lest you think that soliciting and obeying dubious supernatural advice is a purely pre-Enlightenment thing, I give you the Gulf Breeze Six.
Google Map of Gulf Breeze, on the Florida panhandle near Pensacola. Beautiful beaches but beware springtime jellyfish.
The abbreviated version: in July 1990 six American soldiers working in intelligence in West Germany went AWOL on the orders an entity called “Safire” they contacted through a Ouija board. The authorities apprehended them in Gulf Breeze, Florida, interrupting their attempt to 1) inform the President about aliens, 2) kill the antichrist, and/or 3) await the Rapture (accounts vary). Incredibly they evaded punishment: after three weeks held incommunicado the military discharged them with full honors.
Of course there’s more to it than that–isn’t there always? Government experiments, UFOs, and prophecies all get tossed into the blender of weird. The blog post at the link provides a sober, comprehensive history. Check out the accompanying PDF for contemporary news clippings.
The story caught my eye because the story is so similar that of Dee and Kelley:
Both groups sought and followed supernatural advice, even when it put them in conflict with the authorities
Neither group were cults as such, being small (six soldiers plus a handful more; Dee, Kelley, and their wives) disorganized, short-lived, and lacking charismatic leaders
Despite wild detours from orthodoxy both groups’ beliefs were rooted solidly in Christian theology
What intrigues me most is how many modern beliefs the Gulf Breeze Six must have had to jettison to make their assumptions. Dee and Kelley obeying their “celestial teachers” makes sense in their historic context; in twentieth century America not so much*. The GB6 must have taken some serious intellectual leaps (IMHO) to obey “Safire”‘s instructions to desert.
Letting go of my modern assumptions has been one of the hardest parts of getting into my characters’ heads. Characters may question Kelley’s intentions or sanity but it wouldn’t occur to them to question the existence of supernatural entities.
Mind, I’m a hard-headed, secular-soaked atheistic sort. Believer’s mileage may vary.
What’s your take?
*I’m well aware that belief in God/gods, angels, demons, etc. persists but those beliefs compete with modern scientific method in a way they didn’t in the sixteenth century. Turns out some of the GB6 were fundamentalist Christians. Which raises the question: how did they come to play with a Ouija board? I thought those were a big no-no in those circles.
The duties of an Elizabethan Lady-in-Waiting: useful to me as Jane Dee served Elizabeth I’s lady-in-waiting Lady Howard of Effingham (yes, servants had servants, and so on down the line) before she married John Dee.
Well it is, sorta. As an American I can’t help but be aware of the current political situation. As a liberal/progressive I can’t help but be horrified. I’m not going to go into details or debate – if you agree with me you probably share my concerns and if you don’t I’m not going to convince you of anything.
Far better writers than I have discussed the value of writing in fractious times and how to persist. Incredibly I’ve managed to keep my creative momentum and am still on track to finish my second draft by June. So this isn’t a “writing while stressed” post either.
No, this is about how not to let the current situation eat you.
Or eat me, at least. I have a great talent for getting so caught in worry that I freeze. True to form I spent the first few weeks after the inauguration beating myself up for not doing enough and chasing my tail trying to find something–anything–I could do so I wouldn’t feel so useless. I didn’t go to the women’s march (cold weather + my lungs = sinus infection until spring). I missed out on bystander training. I hate cold calling with a passion I reserve for lima beans and sauerkraut.
But.
I now cold call my representatives once a day on issues that matter most to me. I’m looking for future training and warm-weather protests. I try to remember that I should do what’s effective, not what makes me feel better. As it happens I’m more effective at a constant crawl than a sudden sprint (kind of like writing. Or fencing. But I digress).
Here’s what Google Alerts netted for me over the past fortnight:
Queer occult vs. “alt-right” occult: a very different take on the current political turmoil in the U.S. Disclaimer: I am not a practitioner but I find the idea that memes are a kind of magic provocative, to say the least. Thoughts?
16th-century English Tudor rose pendant unearthed near Moscow Kremlin: before we go all “how did it get there?!” keep in mind that England had a presence in Russia from the time of Ivan the Terrible (a prospective employer of John Dee – but that’s another story). Interestingly I first learned of Englishmen in Ivan’s Russia through Ann Swinfen’s historical fiction as she set one of her Christoval Alvarez books in Muscovy.
I’m thrilled when a work of historical fiction in any media gets it just right. The “Wolf Hall”‘ miniseries’ period-correct under- and headwear, “The VVitch”‘s word-for-word dialogue from seventeenth century primary sources, Sarah Waters’ carefully researched nineteenth century lesbian lives. My overkill bibliography and trip to Prague are my effort to do the same for the Dee/Kelley book. One of the main reasons I want to finish the second draft by June is so I can seek sixteenth century-savvy beta readers at this year’s HNS conference. I need someone to catch my mistakes!
Having said this, I first came to historical fiction disguised as something else and thus my influences were inherently non-factual. Not just books either-my earliest influences were visual rather than textual. So I kinda love anachronisms if they’re done consciously and well.
Take Adam Ant, my first exposure to historical fashion remixing and probable first crush (yes, I am old). I saw his (excellent!) “Kings of the Wild Frontier” show back in January. Full of jangly spaghetti western guitars, whooping shouts and four-on-the-floor drums, the music is eclectic, but his aesthetic even more so. Take the video for “Dog Eat Dog”, a cross of New Romantic eyeliner, nineteenth century militaria, and Native American trappings:
The feathers and war paint have an uncomfortable whiff of cultural appropriation (never said my faves weren’t problematic). To his credit, when criticized by Native American leaders back in the day Adam invited them to his show and addressed their concerns, volunteering to axe his iconic look if they found anything offensive.
These days he’s ditched the white stripe in favor of a more eighteenth century “dandy highwayman” mix, including the swashbucklingest bicorn in rock.
Through Adam Ant fandom I discovered Vivienne Westwood, former punk turned fashion designer. Her 1981 Pirates collection is my favorite for obvious reasons, but I’m also tickled by her further variations on historic costume, like the mini crini and unisex corsetry. Here’s Westwood talking about her research process at the Wallace Collection:
Love it or hate it (and I’ve met folks of both stripes) “The Knight’s Tale” goes full on creative anachronism to portray medieval jousts as the Superbowls of their time. Contemporary music and tropes dance through the medieval(ish) background. It’s hard to beat an opening scene where the tiltyard crowds stomp out “We Will Rock You”:
Finally, one I can participate in: renaissance faires. I go to my local faire at least once a year to dress up, drink beer, and listen to bagpipes. Though my garb tends towards accurate-ish, everyone from stitch-for-stitch reenactors through deliberately out-of-place Trekkies finds a home at the pub sing. I could get snarky but it’s more fun to take renn faire as it is: six weeks of Halloween for grown ups! Here’s a video of some of last year’s acts showing the spectrum of aesthetic and anachronism, including more “medieval” Queen:
Would I ever write historical fantasy? Maybe, though I suspect my rigid mind and love of research would drown out any fantastical elements. Still, I have medieval aliens and an graphic novel about an executioner in my plotbunny file, so we’ll see.