biweekly links 11-2-2016

Happy (belated) Halloween/Samhain/All Hallows/etc! I can’t top the biggest early modern European news of the last 2 weeks (Christopher Marlowe Officially Credited As Co-Author Of 3 Shakespeare Plays) but I’ll try:

Woodcut of
A sea-bishop from Johann Zahn’s 1696 work Specula physico-mathematico-historica notabilium ac mirabilium sciendorum (that’s a mouthful). By Sean Linehan, NOS, NGS National Oceanic and Atmospheric Administration (NOAA) (http://www.photolib.noaa.gov/library/libr0081.htm) [Public domain], via Wikimedia Commons

biweekly links 10-19-2016

Vampires and alchemy and murder-investigating witches, oh my!

the inevitable post

Because you can’t write about John Dee for very long without addressing the Voynich Manuscript, the “book nobody can read”.

page of medieval manuscript showing red and blue flowers and strange script
A page from the mysterious Voynich manuscript, which is undeciphered to this day. Courtesy Wikipedia.

In an early draft of the novel I had Edward Kelley stumble across this strange tome in Mortlake’s library, but I ended up cutting that scene because Dee likely never owned it. Bursting further myths, he didn’t create it either – it’s carbon dated to the early 15th century, well over a hundred years before Dee’s time. Nonetheless as a mathematician and steganographer he certainly would have found it interesting. Hell, I find it interesting and I’m just an ordinary schlub.

The manuscript got its popular name from Wilfred Voynich, the bookseller who purchased it in 1912. Before that it passed through many hands and it’s origin is unclear. It currently resides in the Beinecke Rare Book and Manuscript Library at Yale, and is available for viewing by appointment only (though they did loan it for an exhibit in DC, see below).

It has a bit of everything, from apparent star charts to plants to segmented pipes or containers to swimming naked ladies. And of course, lots of indecipherable text (available as a TrueType font, if you’re so inclined).

As such, speculation on what the text might be and by extension what the book is about runs rampant. CipherMysteries.com provides a rundown of the most popular theories, which include everything from blatant hoaxing to alien tech. Certainly it seems to have elements of astrology, herbals, and possibly alchemical recipe books (all those pipes), but doesn’t resemble any of these exclusively.

Decryption obsesses many – even the NSA (PDF) took a crack at it. In 2014 Stephan Bax at the University of Bedfordshire in England deciphered ten words for plants and an astrological sign. Just last week Gordon Rugg of the University of Keele declared it a hoax; other parties disagree.

I was fortunate enough to see the real deal when it was on display in the Folger Library’s Decoding the Renaissance exhibit. Somehow I thought the fuel for so much speculation would be bigger – it’s about the size of a modern hardcover novel. The vellum shows few erasures, so someone understood the strange text well enough to write it with few mistakes. The colors are still vivid even after ~600 years, but the illustrations seem hasty and awkward, particularly the human figures.

My own take is… I don’t know what to think. I’m no cryptographer so I’m not competent to judge the plausibility of the various theories (though I’m pretty sure aliens didn’t write it). If it’s a hoax it’s a good one to fascinate so many for so long. If it’s a code I have to wonder what the author(s) were hiding. In any case, someone went to a lot of time and trouble to create it. Again, the real story is about people and their motives and perceptions.

Current research and the upcoming publication of 898 “clone” manuscripts going for $8000 each (and a Yale University Press edition priced for us ordinary mortals) should keep the Voynich Manuscript in the news (well, the news I read) and send researchers down the rabbit hole for years to come. Me, I’ll just peruse Yale’s scans and consider the fiction fodder.

quality weird

Much as I love me some weird, I’m cautious about what I consume. I seldom have time to read up on the latest historic mysteries and odd sightings, and even less to winnow out the wheat from the chaff.

Internet to the rescue, and I don’t mean leaning on Wikipedia or [insert true believer or paranoid ranter here]:

Do you have anything I should check out? Please share in the comments!

 

 

historic fiction through a side door

I’m getting critiques back about the first 50 pages of my second draft. Responses are mostly positive: definitely still needs work but it’s evidently it’s a compelling read.

Most of my critique partners aren’t historical fiction enthusiasts so I find their input valuable re: possible cross-genre appeal. One even said that though she’s not a history buff she’d read my book for the alchemy and magic alone.

I never thought I read historical fiction as a child, at least in the “pure” Dorothy Dunnett/Philippa Gregory/Margaret George mold. I preferred “real history” (I cringe at my childhood snobbiness). But after this discussion it occurred to me: I was reading histfic all along. I just found it in other genres.

Take Anne Rice. I was a teenage goth so of course I read and reread her Vampire Chronicles and Mayfair Witches series. Rice typically falls on the horror/fantasy but Lestat and co. survive through pre-revolutionary France and antebellum New Orleans; the Mayfair family moves from England through to the Caribbean and thence to the New World over five centuries.

Anne Rice shelfie
My carefully preserved Anne Rice novels from yonks ago. Many hours spent in line to get them signed.

Octavia Butler’s Kindred also stuck with me. Time travel puts this sobering read squarely in the sci-fi box but Butler’s nuanced depiction of slavery in the American south suggests painstaking research of the type associated with the best historical fiction.

Kage Baker’s Company series goes everywhen: Tudor England (Baker taught Elizabethan English as a second language and it shows) to 17th century Spanish California to the 19th century old west and elsewhere…with time-traveling, historical-artifact-saving cyborgs.

More histfic with scifi/paranormal elements:

Diana Gabaldon’s Outlander series goes without saying.

Sarah Waters’ 19th century spiritualists in Affinity  and post-WWII haunted house in The Little Stranger

M. J. Rose’s Seduction is a fictional account of Victor Hugo’s seances in search of his daughter’s ghost. Witch of Painted Sorrows involves fin de siècle Parisian occultism and possession.

Deborah Harkness’ All Souls Trilogy has it all: witches, vampires, werewolves, and time travel

The Witch Who Came in From the Cold: John LeCarre-style Cold War spies…with witches

The Voynich Manuscript motivates the antagonist in Linda Lafferty’s The Bloodletter’s Daughter (and oh hey – someone over at CipherMysteries made up a huge list of novels revolving around Voynich)

Chelsea Quinn Harbor’s Saint Germain series – the vampire St. Germain through multiple time periods

Kim Newman’s Anno Dracula series – mixes Victorian vampires and Jack the Ripper

The quality and success of all of these genre mash-ups reassure me that there’s a place for my hybrid WIP someday.

Please share your own favorites in the comments!

 

 

why I do the weird stuff

No, not that weird stuff!

I mean my biweekly link dumps of witches, occultists, strange/obscure history, and academic papers. Why do I post these (apart from their vague relevance to the work in progress)?

Well, I was a strange child. And I had help.

I grew up on an irregular diet of “Arthur C. Clarke’s Mysterious World” and the occasional surprise “In Search Of” when it aired at odd times on TBS. Also one side of my family nurtured an interest in UFOs, ghosts, cryptozoology, and other Forteana/paranormalia: I remember reading my grandmother’s back issues of Fate Magazine from around age 8, and books got passed around through the mail and at holiday get togethers.

I think the cryptozoology thing grew out of the usual childhood fascination with dinosaurs. My interest was intense enough that by elementary school I was making papier-mâché Loch Ness monsters and a faked plaster cast of a Bigfoot footprint for school projects.

I can’t remember my teachers’ reactions.

shelf of books with titles about UFOs, poltergeists, hidden animals, conspiracies
A “shelfie” of my weird collection. The old Fate mags have long since worn out and been thrown away.

Various family members expressed everything from skeptical interest to full on belief – dinner table conversation could go on for hours. As a child I was fairly uncritical about it all; as a teenager I became more skeptical but sought out anything that made my eyebrows jump – conspiracy theories, alien abduction, prank religions – for the sheer WTFery, if nothing else. I can’t remember how many times I checked High Weirdness by Mail out of the library (oh hey, now there’s an online version!).

And yes, in the 1990s I was a dedicated X-Phile. So many of the stories were already familiar, and the writers did a wonderful job with the source material!

As an adult I’m more detached but my interest remains, though I’ve grown so hard-headed it’s difficult to believe in anything I can’t hit with a hammer, so to speak. At the same time I recognize that subjective experience is relevant to the experiencer, objectively provable or not. In the end it’s not about aliens or ghosts or witches, but about people and how they integrate the unexplained into their lives.

Still, my inner curious child still aches to know: what really happened? What did they really see/experience/find? Through writing fiction I can speculate with the luxury of  not having to prove anything, and I have the freedom to make up answers.

I could (maybe I will) do a whole separate post about growing up as a history buff. Suffice it to say I’m not terribly surprised that two lifelong interests collided to have me writing about Elizabethan magicians ~30 years later.

What about you? Do you have any childhood obsessions that still inform your creative pursuits today? Tell me in the comments!

 

 

weird Prague – the ghost and witch tours

Most walking tours hit the highlights: places, dates, battles. All of which is good and interesting, but I wanted a flavor of the local folklore that doesn’t make it into history books. I find ghost tours are the best way to learn about the weird history of a place, and I found two I enjoyed.

I discovered the Prague witch tour last minute and accidentally, and booked with the thought this will be either the cheesiest thing on earth or a window into contemporary pagan Prague. Definitely more beef than cheese, with servings of morbid history and a dash of ritual.

Our tour guide, Martina, was a modern pagan and a dedicated entrepreneur to boot. The witch tour is her labor of love, and she offered alternative perspectives on some of the usual sights. For example, she explained how Christian elements on the astronomical clock’s face can be interpreted as old pagan symbols to those in the know. While I don’t fully grasp the nuances of the occult “green language” (every word has seven meanings) it certainly lends another layer of history I wouldn’t have been aware of otherwise.

She also introduced us to the legend of 17th century executioner Jan Mydlář. Short version: the role of executioner traditionally stayed within families, but Mydlář committed a murder so grisly that they spared him the axe and gave him the job. He went on to an, er, prolific career and a friendship with the anatomist Ján Jesenský, to whom he supplied cadavers for dissection. Their friendship came to an end when Mydlář’s superiors ordered him to behead Jesenský along with 26 other Protestant leaders, thus kicking off the Thirty Years War. The execution site is still marked in the Old Town Square:

crosses of the martyrs in Old Town Square
One cross for each man. Very sobering.

Mydlář went on to drink away the loss of his best friend at a pub that still exists today. It’s somewhere behind the Old Town Hall, though for the life of me I couldn’t find it a second time:

front of the executioner's pub
The sign over the door. If you squint you can see some of the swords and other weapons hanging on the wall

The rest of the tour was a long walk through landmarks familiar and not: the surviving gothic architecture of Charles University and the “devil’s” fungus that tears the stone apart; the convent of St. Agnes, haunted by girls pressed into the nunnery against their will; the executioner’s storage and training house. Always the symbols passed through a pagan lens, revealing an enduring alternate belief system.

She even conducted a brief ritual of intent for us in a chalk-drawn circle, and I did my best to focus on my goals. The evening wound up in a local pub with excellent local spirits and a wide-ranging discussion about pagan thought. This tour is truly unlike anything else in Prague, and Martina is a delight. Highly recommended.

The underground ghost tour took us under the city hall into chambers that were at ground level hundreds of years ago but were slowly buried by later construction. Only hand-held lanterns relieve the complete dark, creating a still, close atmosphere that’s great for storytelling. Mydlář came up again as a man who tried to save his lover from the axe only to have things go disastrously wrong. Allegedly he also worked with a vampire hunter (how is there not a graphic novel somewhere about Mydlář & co? The black humor writes itself!). Our tour guide was a New Jersey native and the unfamiliar words sounded even more so in his familiar accent, but he knew his stuff and claimed to have had some experiences of his own.

Both tours claim that tourists have gone home to find wisps and ghostly “orbs” in their photos. Alas, the ghosties didn’t come out for me. Though, I did have a devil of a time uploading these images, so make of that what you will.

biweekly links

Those in the states, let the “eating season” commence!

Research:

  • Your Grandmother Is Lying (and Other Lessons of Historical Research: part 1, part 2 – how to find and evaluate sources.

Weird history:

Fiction trends: