The Artist Who Embraced the Occult and Defied the Surrealists: the first time I heard of Ithell Colquhoun was in China Mieville’s “The Last Days of New Paris” and I always meant to follow up but good Google Alert-fu got ahead of me and found this article about her embrace of the occult. Most of the surrealists had an interest in the occult but Colquhoun’s systematic study set her apart and ultimately alienated her from her artistic peers. I’m especially intrigued by her use of automatism – automatic writing, but with art. Now I definitely need to read up on her, along with Doreen Valiente, Rosaleen Norton, and other 20th c. women occultists.
Bulgaria was the catalyst for Elizabeth Kostova’s “The Shadow Land”: I loved Kostova’s “The Historian” and this new book sounds unusual enough that I’ll probably give it a whirl but I’m a tad disappointed that she “[shies] away from [‘historical fiction’ as a category] because it’s gotten kind of a bad name” (??)
Speaking Martian: Dee and Kelley weren’t the only medium/interpreter duo to invent/discover/come up with a strange language. Hélène Smith produced “Martian” language over several years with the assistance of psychologist Théodore Flournoy. Being of a less wanting-to-believe ilk than Dee, Flournoy suspected glossolalia from the outset, though he never seemed to have discouraged or tried to cure Smith during their séances. His publication of his suspicions in the book “From India to the Planet Mars” was a shock to Smith and they parted company soon after. In the 1930s the Surrealists promoted her as a “muse of automatic writing” and she became a painter in her own right. An intriguing story I wish I had time to delve into further!
Bess of Hardwick in spotlight of new play: about time! Perhaps best known as the woman who kept Mary Queen of Scots under house arrest, she became the second richest woman in Elizabethan England through both strategic marriages and shrewd business dealings. Definitely worthy of her own play. Her stately Hardwick Hall still stands.
How Renaissance Painting Smoldered with a Little Known Hallucinogen: Not THAT unknown. Short version: some artists were heavily influenced by ergot poisoning, either by their own experiences or from observing others in the throes of “St. Anthony’s Fire”. I’m unsure what to make of this – on the one hand artists must get their inspiration from somewhere, on the other it suggests lack of creativity if they were just depicting their hallucinations to the last detail. Full disclosure: I love Bosch’s work and prefer to think he was just that inventive. Thoughts?
Hitler Used Werewolves, Vampires, and Astrology to Brainwash Germany: despite the tabloid-esque title, this is a sobering article about a forthcoming Yale U Press book on Nazi exploitation of pre-existing supernatural beliefs to further their ideology. To quote the article, “…in times of crisis, supernatural and faith-based thinking masquerading as “scientific” solutions to real problems helps facilitate the worst kind of political and social outcomes.” Indeed.
I am fresh from a week’s vacation in Puerto Rico! Save some fencing, I did very little save read, rest, and walk around Ponce’s historic downtown. The weather was gloriously warm, the food excellent, the company better, and the rest much-needed.
Needless to say I ran into neither USOs, nor the chupacabras of cryptozoological lore (though there were iguanas, many iguanas) because weird stuff doesn’t happen to me. But I did get a taste of Puerto Rican folklore at the Pan Am Championships’ opening ceremony:
These colorful critters are vejigantes (bay-he-GAHN-tay), a sort of all-purpose demon (or family of demons) that evolved out of the meeting of Spanish, African, and native Taíno cultures.
A quick whip around the web reveals the name comes from “vejiga” (Spanish for cow bladder) and “gigante” (giant) in reference to the dried, seed-filled cow bladders they use as “weapons” at festivals like the annual Carnaval Ponceño.
Most striking are the masks (careta) made of papier-mâché and/or coconut husks. Colors and patterns vary by geography (those above are from Ponce) but bright colors, teeth, and horns seem to be constants. This long-standing folk art is specific to Puerto Rico, and though how-tos (PDF) abound I suspect they don’t stick to traditional methods.
Examples of varying quality were on sale everywhere, in every size from fridge-magnet-small to half my height! I could only get this ~4″ sample home, it’s spiky horns protected inside the hard shell of my fencing mask:
The man who sold this to me said it represents the wife of the “main” vejigante. I haven’t found any list of characters or their relationships so far and it frustrates me that I’m ignorant of the stories behind the imagery. The temptation to research is great but unavailability of info may be for the best – I have no business doing new research when The Novel is still in progress.