biweekly links 4-22-2020

A few of my favorite things to look at to keep my mind off everything:

A UK Museum Challenged Bored Curators Worldwide to Share the Creepiest Objects in Their Collections. Things Got Really Weird, Fast: oh, be still my heart!  But obviously not as still as that sheep’s heart run through with nails. And the Twitter thread is only 3 days in.

Meanwhile #tussenkunstenquarantaine (“between art and quarantine”) over at Instagram continues what the Getty kicked off. Just remember it’s all fun and games until someone drags Bosch into this.

 

Not Bosch, but awfully clever. Original by Rudolf II Fave Arcimboldo.

11 Fashion Museum Experiences You Can Access Online: and this in addition to the Christian Dior exhibit video [YouTube] making the rounds.

And still more non-fashion must-see online exhibitions of the moment.

How are you amusing/distracting yourself? How are you keeping sane?

biweekly links 10-16-2019

Literary mysteries: 5 Books that remain a mystery to the greatest minds of humanity: Plus another 4 in part 2 of this article. Of course, it kicks off with the Voynich manuscript but I’d not heard of the Prodigiorum Ac Ostentorum Chronicon or the Rohonc Codex.

The Artist Who Embraced the Occult and Defied the Surrealists: the first time I heard of Ithell Colquhoun was in China Mieville’s “The Last Days of New Paris” and I always meant to follow up but good Google Alert-fu got ahead of me and found this article about her embrace of the occult. Most of the surrealists had an interest in the occult but Colquhoun’s systematic study set her apart and ultimately alienated her from her artistic peers. I’m especially intrigued by her use of automatism – automatic writing, but with art. Now I definitely need to read up on her, along with Doreen Valiente, Rosaleen Norton, and other 20th c. women occultists.

Head2 by Ithell Colquhoun - male and female figures entwined
Not an example of Colquhoun’s automatism, but one of the only public domain versions of her art I could find (courtesy Wikipedia). You can find more at Ithell Colquhoun’s officlal website.
Archivist delighted to comb through mountain of late UFO researcher’s records: and I’m delighted to discover that late UFO researcher Stanton Friedman had the foresight to donate his records to the Provincial Archives of New Brunswick. Nothing’s likely to be available for a while, at least online – the archivists have 300+ (!) boxes to wade through – but this means his years of research won’t mildew away in a forgotten garage or similar. Agree with Friedman or not, I’m all for the preservation of historical materials, particularly about unusual topics.

biweekly links 3-28-2018

Powerful Market for Magic Enchants Publishers: on the occult spirituality and historical shelves, at least. Most exciting for me is a new John Dee book, which I need like a fat hole in my head because I’m done researching, really and for true…

Bulgaria was the catalyst for Elizabeth Kostova’s “The Shadow Land”: I loved Kostova’s “The Historian” and this new book sounds unusual enough that I’ll probably give it a whirl but I’m a tad disappointed that she “[shies] away from [‘historical fiction’ as a category] because it’s gotten kind of a bad name” (??)

Speaking Martian: Dee and Kelley weren’t the only medium/interpreter duo to invent/discover/come up with a strange language. Hélène Smith produced “Martian” language over several years with the assistance of psychologist Théodore Flournoy. Being of a less wanting-to-believe ilk than Dee, Flournoy suspected glossolalia from the outset, though he never seemed to have discouraged or tried to cure Smith during their séances. His publication of his suspicions in the book “From India to the Planet Mars” was a shock to Smith and they parted company soon after. In the 1930s the Surrealists promoted her as a “muse of automatic writing” and she became a painter in her own right. An intriguing story I wish I had time to delve into further!

strange hieroglyphic-type figures handwritten with typed caption: Fig. 31. Text No 38 (March 30, 1899), written by Mlle. Smith copying a text of Ramié, who appeared to her in a visual hallucination (Collection of M. Lemaitre)
Example of Hélène Smith’s “Martian” script. Via.

biweekly links 9-27-2017

Bess of Hardwick in spotlight of new play: about time! Perhaps best known as the woman who kept Mary Queen of Scots under house arrest, she became the second richest woman in Elizabethan England through both strategic marriages and shrewd business dealings. Definitely worthy of her own play. Her stately Hardwick Hall still stands.

How Renaissance Painting Smoldered with a Little Known Hallucinogen: Not THAT unknown. Short version: some artists were heavily influenced by ergot poisoning, either by their own experiences or from observing others in the throes of “St. Anthony’s Fire”. I’m unsure what to make of this – on the one hand artists must get their inspiration from somewhere, on the other it suggests lack of creativity if  they were just depicting their hallucinations to the last detail. Full disclosure: I love Bosch’s work and prefer to think he was just that inventive. Thoughts?

Painting of man in throes of agony, covered in pustules.
LSD may be derived from ergot fungi but St. Anthony’s Fire looks like a bad trip to me. Painting by Matthias Grünewald of a patient suffering from advanced ergotism from approximately 1512–16 [Public domain or Public domain], via Wikimedia Commons.
Books Discovered Once Again is a Czech-Norwegian project dedicated to identifying, cataloguing, and returning to original owners/libraries non-Bohemican volumes found in the Czech public libraries. Related: According to the historians on this project, the “Himmler’s occult book stash found in Prague” story I linked to last year isn’t true. Thus far they’ve found “common philosophic literature, yearbooks of lodges, some Masonic poems collection and so on” but nothing explicitly occult. Old news offered belatedly and borrowed (thanks Astonishing Legends) but I don’t want y’all running around with the wrong info.

biweekly links 7-12-2017

Hitler Used Werewolves, Vampires, and Astrology to Brainwash Germany: despite the tabloid-esque title, this is a sobering article about a forthcoming Yale U Press book on Nazi exploitation of pre-existing supernatural beliefs to further their ideology. To quote the article, “…in times of crisis, supernatural and faith-based thinking masquerading as “scientific” solutions to real problems helps facilitate the worst kind of political and social outcomes.” Indeed.

The Occult Roots of Modernism: Nineteenth century French artist-author-guru Joséphin Péladan is the subject of a new exhibition on the “mystical symbolism” of the artists of his Salon de Rose + Croix. Péladan was part of a wider occult milieu in Belle Epoque Paris that embraced everything from Theosophy to Rosicrucianism to neo-Catharism. If you’re in New York City between now and October 4, you might want to check it out.

Witchcraft and dueling are now legal in Canada: I’m sure they don’t mean together, because combining these could be dangerous…or awesome:

Dueling scene between Snape and Lockhart from Harry Potter and the Chamber of Secrets
CanAms will look very different next year. Courtesy Tumblr

horny devils: the vejigante of Puerto Rico

I am fresh from a week’s vacation in Puerto Rico! Save some fencing, I did very little save read, rest, and walk around Ponce’s historic downtown. The weather was gloriously warm, the food excellent, the company better, and the rest much-needed.

Needless to say I ran into neither USOs, nor the chupacabras of cryptozoological lore (though there were iguanas, many iguanas) because weird stuff doesn’t happen to me. But I did get a taste of Puerto Rican folklore at the Pan Am Championships’ opening ceremony:

three dancers in brightly colored robes and horned masks in sports stadium
Vejigantes on the piste. Author’s own.

These colorful critters are vejigantes (bay-he-GAHN-tay), a sort of all-purpose demon (or family of demons) that evolved out of the meeting of Spanish, African, and native Taíno cultures.

A quick whip around the web reveals the name comes from “vejiga” (Spanish for cow bladder) and “gigante” (giant) in reference to the dried, seed-filled cow bladders they use as “weapons” at festivals like the annual Carnaval Ponceño.

Most striking are the masks (careta) made of papier-mâché and/or coconut husks. Colors and patterns vary by geography (those above are from Ponce) but bright colors, teeth, and horns seem to be constants. This long-standing folk art is specific to Puerto Rico, and though how-tos (PDF) abound I suspect they don’t stick to traditional methods.

Examples of varying quality were on sale everywhere, in every size from fridge-magnet-small to half my height! I could only get this ~4″ sample home, it’s spiky horns protected inside the hard shell of my fencing mask:

Small black, green, yellow, and red mask with pointed open mouth and five horns
My Ponce souvenir

The man who sold this to me said it represents the wife of the “main” vejigante. I haven’t found any list of characters or their relationships so far and it frustrates me that I’m ignorant of the stories behind the imagery. The temptation to research is great but unavailability of info may be for the best – I have no business doing new research when The Novel is still in progress.