the problem (and opportunity) of Joanna Kelley

You’d think that by this point in the book I’d have a stronger grip on all my characters.

On good days it’s almost like channeling. Edward Kelley’s con-artistry, Jane Dee’s frustration, and John Dee’s obsession all spring easily to mind at this point but Joanna Kelley eludes me.

Which is nonsensical because of all these historical figures I probably know the least about her and so have the most leave to make things up.

Dee didn’t have a strong opinion about her; Edward Kelley “loves her not, nay, I abhor her”; Jane Dee apparently took her side in arguments with Kelley. Charlotte Fell-Smith’s 1909 biography of Dee describes Joanna as “lively and docile” but Fell-Smith tended to speculate.

It’s not clear why Kelley married her – the “angels” ordered him to marry but didn’t specify a bride. Wooley suggests someone (who?) might have paid him marry her in order to legitimize children she had with an aristocratic lover; Bassnett argues she was the widow of a clerk named John Weston. It doesn’t seem she brought any status or money into the marriage. Only two things are clear: she was only 19 when she married Kelley and he didn’t like her.

Why would she marry someone like Kelley, a volatile man with few (legal) prospects who didn’t want to get married in the first place?

I’ve mixed bits and pieces from the scholarship for Joanna’s backstory, but even if I know how she got into the Dee/Kelley household I’m still not clear on how she manages once she’s there. Optimism and resilience would help her endure Kelley’s tempers. Smarts and adaptability wouldn’t hurt, given dangerous travel and domestic strife.

The idea of “Firefly”‘s cheerful engineer Kaylee Frye sprung to mind. A fictional sci-fi character may be an odd inspiration for an Elizabethan housewife but I can imagine that someone of Kaylee’s uncultured enthusiasm would charm everyone around her but get on grumpy Kelley’s last nerve.

Beaming girl in fluffy, ruffled dress.
I imagine Joanna being just this sweet and gauche when she comes to Mortlake for the first time. Less floofy dress though. The only linkable version of this pic I could find.

My hardest plot challenge of all is why does Kelley hate her so? No one else seems to. I’m considering several possibilities (no spoilers) but even at this late stage I’ve not got this crucial factor ironed out yet.

Maybe it’s difficult for me because while I know fear, anger, and obsession, I’m not exactly a ray of sunshine.

Fortunately I’ve completed the day job certification that ate most of my time for the past couple of months and am eager to get back to editing. Hopefully I’ll get into the zone and she’ll evolve organically out of rewrites.

References:

Bassnett, Susan. 2006. “Absent Presences: Edward Kelley’s Family in the Writings of John Dee.” In John Dee: Interdisciplinary Studies in English Renaissance Thought, 285–94. Dordrecht: Springer.

Wooley, Benjamin. 2001. The Queen’s Conjurer: The Science and Magic of Dr. John Dee, Advisor to Queen Elizabeth I. Henry Holt and Co.